Laid Still — Still Fragments

“I love to put things together. I’ve come to recognize that the way I think is collage.” — Louise Nevelson

My work explores collage as both process and a strategy that allows me to think in fragments. These photo-collages are constructed from cut-up photographs and one-of-a-kind images and found objects, forming hybrids that merge photography with painterly materials through cutting, layering, and reconstruction. Working with fragments allows me to resist building a whole. Disparate elements, often incongruous and drawn from different visual or conceptual spheres are brought into proximity, allowing unexpected relationships to emerge. Fragments and remnants are not discarded; they are re-considered, framed, and given new context. In this way, the work reflects a continuous process of de-structing and re-assembling, where images are unsettled, reimagined, and held in tension between cohesiveness and disruption.

All photographs are from an ongoing series titled “Laid Still” in reference to the Dutch Golden Age still life painting of the laid table.

Archival Ink Print available
20 x 25” and 30 x 40”

­Editions of six, two artist’s proofs